If you've never visited The Addington Golf Club and Mr Spock beamed you onto the first tee, you would never believe you were a mere ten miles from the centre of London. The Addington is an extraordinary heathland golfing paradise. It's a course which has remained virtually unchanged since J.F. Abercromby, the man behind Worplesdon, designed it back in 1914. Many believe the Addington is Abercromby's finest creation.
In the early days, The Addington boasted two golf courses, the Old and the New - 36 of the finest golf holes in England, as good, if not better than Sunningdale. Unfortunately, the New course no longer exists; a housing estate now stands in its place.
The current course is an idiosyncratic affair, with rickety trestle bridges spanning glorious heathland dells. Mature pine and birch trees provide a wonderful feeling of intimacy. It really is a delightful place to be, especially in the winter, because the sandy course drains perfectly and remains bone dry underfoot.
The course measures slightly more than 6,300 yards and opens up with a challenging par three. The 5th hole is a long par four with a slight dogleg to the left. An accurate tee shot is required to the right to the left-sloping fairway. A hanging lie is often the order of the day for the second shot, which is uphill to a well-guarded green. Take plenty of club for the approach shot, which is usually longer than it looks.
Bernard Darwin was a lover of The Addington, especially the new course, which as we have already said, sadly no longer exists. The course we play today remains witness to Abercromby's skill. Or as Darwin said in his book, Golf Between Two Wars: "He had admirable material, the country of sand and heather and birch trees, and with what an artistic eye he used it!"
In 2019, the club appointed Clayton, DeVries & Pont to conduct a long-term course plan with a view to returning the design to its Abercromby origins using historical photography. The aerial images show the course was much more open and tree removal will open up views and assist with heather regeneration. Greens have shrunk by 30-40% so the intention is to push them out again wherever possible. “It's almost like a Rembrandt found in an attic," says Frank Pont. "You need to take four layers of varnish off, just clean it up and bring back what's there. But the whole painting is still there.”
October 22, 2005